Immensely grateful and delighted that Jonathan Escoffery picked A Kind of Solitude as one of his favorite books of 2019 for The Paris Review: “Suarez masterfully collides the personal and the political, moving characters and circumstance toward each other like pieces on a chessboard.”
So cool to have a personal essay about science, migration, family dynamics, and Soviet influence on Cuba in the 40th anniversary issue of The Threepenny Review. This has been one of my favorite publications for a long time. I’m honored to be alongside some great writers, including a literary idol in Javier Marías. Ten years ago something like this felt like a ridiculous dream.
Super excited and grateful to learn that A Kind of Solitude won first place at the International Latino Book Awards for Best Collection of Short Stories in English. It’s been a wonderful year with this little book. Thank you to everyone who’s shown love and support!
I spent nearly eight years working on this story collection before it found a home, so it was incredibly moving to read this wonderful review in The Kenyon Review, one of my favorite literary journals: “Despite all the light it shines on troubles in Cuban life, A Kind of Solitude is a love letter to Cuba as much as it as a critique of it, full of the heartbreak that comes from loving something flaws and all.”
Learned today that A Kind of Solitude is a finalist for the International Latino Book Awards in the short fiction category.
Grateful for this thoughtful review of A Kind of Solitude in The Florida Review:
“Dariel Suarez’s story collection contributes further to the American publishing landscape what Jhumpa Lahiri, Ha Jin, Yiyun Li, Chimamanda Ngozi Adichie, and others like them have helped evolve and enrich—the scope and possibilities of what constitutes the universal experience in literary fiction.”
I was really fortunate to interview David Mura about A STRANGER’S JOURNEY: RACE, IDENTITY, AND NARRATIVE CRAFT IN WRITING. The interview if up on GrubStreet Blog. I highly recommend reading David’s important book. It challenges us to think critically about the way we teach craft and its crucial relationship to identity. I learned a lot from it and was really inspired by the content.
Grateful for fiction editor Elena Britos’ thoughtful questions in this Nashville Review interview about A Kind of Solitude and my writing process.
Huge thanks to the 2040 Review editors for having me as a featured author in their print issue, which was launched at the 2019 Muse and the Marketplace conference. This is a wonderful, necessary publication for people of color by writers of color, so please make sure to support them.
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